I went to see the British Museum’s The Art of Influence Asian Propaganda over the weekend: https://www.britishmuseum.org/whats_on/exhibitions/asian_propaganda.aspx

It reminded me of the private collection of one British man in Ho Chi Minh City. This is a piece I wrote when I visited the collection in 2010:

Inside a District 1 townhouse in Saigon, Richard di San Marzano has been carefully archiving the largest collection of propaganda poster images in Vietnam. Boss Dominic Scriven has collected more than 1000 of these striking, political works over the last 20 years and Richard has spent almost a year archiving the poster art.

They are carefully stored and numbered in boxes between a tracing paper-like tissue. Only 100 of them are dated and some are signed by individual artists; others are signed by art collectives but it’s known that the majority were created between 1960 and 1974, during the height of hostilities in Vietnam between the communist north and the American-backed regime in the south.
“These are art but also historical documents,” explains Richard as he unwraps a few of the posters for me to see.
The most unusual of the documents are the double-sided works. During the American War, paper shortages were common but the need to churn out propaganda art was imperative. Artists requisitioned used paper from the Hanoi School of Fine Arts. On one side of the paper are some stunning life drawings: female nudes pose; in another a profile of an old man sitting on a chair clasping a staff; the light is stunning. Turn these pieces over and the paper is awash with political slogans and the vivid colours of the communist works: scarlet red, blacks, purples and gold. What strikes you is how vibrant the colours are despite the age of the works, storage and obvious damage: some reveal multiple pin marks, others were hauled by artists through jungles. The paint used was tempera, known for its longevity.
Most visitors to Saigon come across Dogma shops (www.dogmacollection.com). This is the commercial wing of the collection that sells related merchandise but the Collection hopes to tour internationally with the works and publish an art book of the poster collection.
The Collection would do well to woo a big name architect and display the fascinating propaganda (and the life drawings on the other side) in an impressive museum in Vietnam displaying this important and interesting legacy on home territory.